Book a consultation – we'll review your project and say honestly what to fix before signing.
There is no single contract that fits everyone. An artist can take distribution only, as a one-time payment per release, or move to full management with a monthly fee, or order a separate service such as a music video or a consultation. Master rights stay with the artist in every case, and the exact terms are agreed individually before anything is signed.
The catalogue behind the label holds 7200+ releases published since 2010, and everything released through OUR ANGELS reaches 250+ stores and streaming services through Believe SAS, ZVONKO and Kanjian.
Genre is not a filter. What matters is a finished master rather than a rough sketch, original material with the rights cleared, and a plan to keep releasing rather than one track and silence. A link to streaming profiles and social accounts helps, because it shows the audience an artist already has.
Two routes lead in. The Send demo form goes straight to the A and R queue and gets an answer the same day. The Sound Court contest is the second route: it is built for newcomers without a release history, and the winner gets a release through the label.
The English part of the site covers the label itself and the way it works: about the label, working with artists, the release catalogue, distribution terms, sending a demo, young artists under 18, the Synesthesia project and contacts. The full site, including the journal and the pricing pages, is in Russian at the English home page and the Russian version.